Showing posts with label Queen Esther. Show all posts
Showing posts with label Queen Esther. Show all posts

Wednesday, July 30, 2025

Closing August 2025: Jack Whitten, Sargent, Amy Sherald, Queen Esther, Chinoiserie

Jack Whitten, 9.11.01, 2006
Installation view of Jack Whitten: The Messenger, 
The Museum of Modern Art, New York,
 from March 23 through August 2, 2025. 
Photo: Jonathan Dorado.



Dear Friends,

Only half the summer has passed and yet many exhibitions will end in early August.

Please try to see all these shows before they close soon.

Jack Whitten: The Messenger, the best show this spring and summer, closing August 2nd for the general public, August 3rd for MoMA members.


John Singer Sargent, Dr. Pozzi at Home, 1881


Sargent and Paris, Metropolitan Museum of Art, through August 3rd.

Here is a recording of my lecture on "John Singer Sargent and the Gilded Age," hosted by the Alliance Française USA, July 17, 2025.


Amy Sherald, Michelle Obama, 2018


Amy Sherald: America Sublime, Whitney Museum, through August 10th.



Rembrandt, Esther Preparing for Ahasuras, c. 1633, 
National Gallery of Canada, Ottawa


The Book of Esther in the Age of Rembrandt, The Jewish Museum, through August 10th.




Chinese, Anonymous, Woman with a Pipe, c. 1760-80


Monstrous Beauty: A Feminist Revision of Chinoiserie, Metropolitan Museum of Art, through August 17th.

Best wishes for the rest of your summer,
Beth and the New York Arts Exchange

 

Thursday, January 6, 2022

Zoom Art Lecture on Queen Esther, Monday, January 10th at 10 am - Free

 

Jan Victors, The Feast of Queen Esther and King Ahasuerus, 1640

Please join me for my art history slide lecture:


"Queen Esther in Art: Racism, Religion and Resistance"


hosted by the Shames JCC on the Hudson

Monday, January 10th at 10 AM
on Zoom

Your zoom link is located here


I look forward to seeing you then -
Beth


Beth S. Gersh-Nesic, Ph.D.
Director and owner


Tuesday, February 9, 2021

February Zooms: Art Salons Hosted by Greenwich Arts Council and "Queen Esther in Art" Hosted by Learning in Retirement Stamford

 

Paul Signac, Portrait of Félix Fénéon, 1890
aka Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints
Museum of Modern Art, NYC



In about a month from now, we'll mark the first anniversary of the Covid-19 lockdown and, perhaps, look back on all we accomplished during this challenging "pause."  Did you see all the 2,500 museums available online?  Did you take all the virtual art tours?  I sure haven't.  

Oh - I have visited a few virtual exhibitions, as well as several in person since art museums and galleries opened this past summer.  The in-person experience can't be beat. However, there are several virtual exhibitions that merit praise.

What do YOU think of virtual exhibitions on museum websites?  I would genuinely like to know.

So with that curiosity in mind, and a sincere desire to talk to you about art, as we did when we toured the museum and galleries shows, I have dreamed up a series of 4 meetings, which I call "art salons" that offer an opportunity to talk about art and not sit passively listening to the presenter.

Our series of 4 salons is called: Critiquing the Virtual Museum Experience

It is hosted by Greenwich Arts Council.  You can learn more about the series and register here.

  •   
  • Cost: $15 each
  • Topics:  
  1. Félix Fénéon at MoMA
  2. Jacob Lawrence at the Met
  3. Women artists at the Hudson River Museum
  4. Crowd-sourced photos of life during the Covid-19 Pandemic at the Phillips Collection.

  • Each session features conversations about the curator's theme, content, and website presentation. We will meet in small "rooms" to facilitate lively and spontaneous exchanges. Preparation for these salons is recommended in order to fully engage in the three conversational segments listed above (theme, content, and success/failure as a virtual art experience).  However, it's not necessary.
I hope you will join us for these 1 1/2 hour opportunities to really weigh in on the art scene today.

For more details, please visit the Greenwich Arts Council website.

Antoine Coypel, Esther Swoons Before King Ahasuerus, c. 1704
Musée du Louvre


Art History Lecture on Zoom, Hosted by Learning in Retirement:
"Images of Queen Esther in Art"

Wednesday, February 24 at 10 am.
Browse and register here and here
Fee: $5.00

I'll lecture on the image of Queen Esther in art, just in time to celebrate Purim on February 25-26.
Please join me for this sprint through hundreds of years of artworks about The Book of Esther in the Bible, each created for a different audience: Catholic, Protestant and Jewish.  


I hope you will sign up for one or more of these art history events.
And I hope I see you again soon!

Warm wishes for Valentine's Day,
Beth

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange

Wednesday, March 20, 2019

Chag Sameach - Happy Purim 2019/5779

Artemisia Gentileschi, Esther Before Ahasuerus, c. 1630, at the Met Museum

It's Purim again!  That one day of the year you are commanded "to drink until you cannot tell the difference between Haman and Mordechai," i.e. evil and good.

Perhaps that's not an unusual experience these days.  It may feel as though life has become an endless Purimspiel - a farce, a parody, a confusion of facts, and a series of masks of one kind or another on almost everyone.   What to do?  Or more to the point on Purim: "What would Queen Esther do?"

The Book of Esther and the paintings which illustrate this portion of the Bible tug at our conscious.  Would we have the courage to stand up for our rights and the rights of others?  Would we risk death or misfortune speaking out against injustice?

Today is Purim, but everyday brings opportunities to behave like Esther.  These magnificent paintings were created to inspire selfless commitment for a cause:


Aert de Gelder, Esther as a Bride, c. 1684
Alte Pinakothek, Munich 

Rembrandt van Rijn, Esther, Haman and Ahasuerus at Esther's Feast, 1660



Aert de Gelder, Esther and Mordechai, c. 1685, National Museum of Fine Arts
Buenos Aires, Argentina


Aert de Gelder, Esther and Mordechai Writing the Letters for Purim," c. 1684
Rhode Island School of Design Museum of Art, Providence, RI


Happy Spring!  Happy Persian New Year (Nowruz)!  Happy Purim!
Beth New York

aka  Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange
www.nyarts-exchange.com 



Wednesday, March 1, 2017

New Year, New Us: New York Arts Exchange is now a division of New York Arts Etc., LLC -

NEXT GENERATION

It's a New Year and a New Name:   New York Arts Exchange is now New York Ats Etc., LLC, retaining the moniker "New York Arts Exchange" as a division of our arts education service. Today, I am pleased to announce our latest project: Art Above the Sofa: Next Generation, which is a juried show for art students in accredited programs (AA, BFA, MFA, Ph.D. and art academies of all kinds, including schools abroad).  We are eager to exhibit emerging artists whose visual vocabulary addresses the concerns, hopes, dreams and aspirations of their generation.  Millennials, lead on!

What is Art Above the Sofa?  It is an irreverent poke at a much maligned phantom category of art that is often mentioned but never truly defined.  Who seriously makes art exclusively for an installation above a sofa?  Who wouldn't mind selling a work that winds up placed above the sofa, admired by its owners and shared with their guests?  Art above the sofa is often a beloved source of frequent contemplation. For most of us who buy art, we look for a work to cherish, study often and find endless surprises in what becomes a familiar companion.  An artwork above a sofa, in the intimacy of one's home, might turned into a steady, unquestioning love affair.

Therefore our concept of "Art Above the Sofa" is slightly ironic and hopefully disruptive. We are not suggesting that the artists match the furniture in a client's home or produce pleasantly "decorative" canvases.  Rather we seek excellent art that might be edgy, confrontational, uncomfortable, or decidedly spiritual in a complicated way. And we also seek humor that demonstrates intelligent wit and innuendo.

Consider the role of the sofa in Jacques-Louis' famous portrait of Madame Jeanne-Françoise Julie Adélaïde Récamier, decorously arranged on an Directoire Style lounge.  Legend has it that the sitter hated this cold interpretation of her personality and commissioned the early Romantic François Pascal Simon Gérard, who did indeed capture her sensual charms. But when it came to choices, René Magritte went right to David's sofa, transforming Madame R into a seated casket that seems to ridicule the Academy's moribund state of affairs.  Let's find our inner Magritte and have fun while we say something bold and exceptionally new!  Art Above the Sofa challenges us to invent a new kind of art, a Post-Post-Modernism or something totally off the category charts.

Jacques-Lous David, Madame Récamier, 1800, Louvre, Paris

François Pascal Simon, Baron Gérard, Madame Récamier, 1802
Musée Carnavalet  

René Magritte, Perspective: Madame Récamier, by David, 1951
National Gallery of Canada, Ottawa



Dear friends of the New York Arts Exchange, now New York Arts Etc., LLC - - please support emerging artists by sharing information about our art competition and exhibition in April. Send a link to our website www.artabovethesofa.com - and come celebrate with us in person.

The exhibition Art Above the Sofa: Next Generation  will take place at 171 Elizabeth Street, between Spring and Kenmare, from  April 27 to 30, 2017.   Opening celebration: April 27th.

As for the New York Arts Exchange tours and lectures for 2017  - we will post our schedule separately.  In the meantime, please visit our website: New York Arts Exchange to see details about our current exhibition  "Sasha Meret: Selected Works" at Rafael Gallery, 235 East 59th Street, NYC, between 2nd and 3rd Avenues.  We will schedule a day with Sasha at the show in March.  The show was extended to March 31st.  

This week, please join me at JCC Greenwich for a lecture on Queen Esther in Art.  Tickets and information can be found at New York Arts Exchange or on the JCC Greenwich website.


Best wishes,
Beth

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Etc., LLC