Jacob Lawrence: The American Struggle closes on Sunday, November 1st. The exhibition, installed while the Metropolitan Museum of Art reestablished its visiting protocols during the long "pandemic pause" (nearly 6 months), opened on August 29th. It's a fitting theme for this moment in American history. We are struggling. There is no doubt, regardless of where on the political spectrum you believe you belong, we are all struggling in this most miraculous of earthly creations, the United States of America.
Jacob Lawrence, Victory and Defeat, 1955
panel 13 in American Struggle series,
1954-56, egg tempera on hard board, 12 x 16 inches
Collection of Harvey and Harvey-Ann Ross.
© 2020 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle/
Artists Rights Society (ARS), New York. Photography by Bob Packert / PEM)
Here, for example, the Metropolitan Museum's text panel summarizes the surrender of the British in Yorktown, Virginia, interpreted by Lawrence in his Victory and Defeat, a powerful synthesis of Cubism, abstraction, and social realism. For Hamilton fans, this moment may seem familiar:
"[Jacob] Lawrence depicts an impenetrable wall of twenty-two black cannonballs to symbolize the successful twenty-two-day siege at Yorktown, Virginia, in which American troops forced the British occupying the town to surrender. This battle, celebrated for the heroic leadership of Alexander Hamilton and the Marquis de Lafayette, effectively ended the American Revolution. Lawrence’s wall also serves as a backdrop for the sword exchange that took place between two appointed delegates on behalf of American General George Washington and British General Charles Cornwallis, on October 19, 1781. The artist focused on this imminent transfer of power and peaceful resolution by creating a space between the redcoat gripping his sword and the open hand of an unseen patriot, framed against a cloud-filled sky symbolizing a hopeful future."
Jacob Lawrence, “. . . for freedom we want and will have, for we have served this cruel land long enuff . . ." —a Georgia slave, 1810, Panel 27, 1956, from Struggle: From the History of the American People, 1954–56. Egg tempera on hardboard. Private collection.
© 2020 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.
I urge you to visit Lawrence's masterpiece series: Struggle: From the History of the American People, painted from 1954-1956, before it closes on Sunday, November 1st, or if this is impossible, please study his works on the museum's website. The title itself deserves a sustained reflection: "the history of the American People" - all American people? Well, not our neighbors Canada, Mexico, Central and South America. Rather, all who have lived and continue to live in the politically connected 50 states within the Americas, the United States. In these united states, we have much to be thankful for and much to strive for in order to form "a more perfect union."
Jacob Lawrence, "If we fail, let us fail like men, and expire together in one common struggle . . .,"—Henry Clay, 1813, Panel 23, 1956, from Struggle: From the History of the American People, 1954–56. Egg tempera on hardboard. Collection of Harvey and Harvey-Ann Ross.
© 2020 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York. Photo by Bob Packert/PEM.
For more information about this particular series by our American treasure, New York artist Jacob Lawrence, please watch this short video produced for PBS, with a tour of the exhibition guided by artist Derrick Adams, whose exhibition Buoyant at the Hudson River Museum recently closed.
For more information about Jacob Lawrence and his numerous series, please visit the Museum of Modern Art's Artist Page dedicated to Lawrence's work in the MoMA collection and previous temporary exhibitions and D.C. Moore Gallery. (Members of the New York Arts Exchange art tours may recall our visit to D.C. Moore in 2008 to see Jacob Lawrence: Moving Forward, at the gallery's previous address on Fifth Avenue.)
Best wishes for Halloween,
Beth
Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange
No comments:
Post a Comment