Sunday, May 10, 2020

Mother's Day Greetings 2020



Dear Friends,

Well, we are all updating these days in order to shorten the great divide of social distancing.  How are you doing today?  I hope you take time to smell the roses, literally, since the sun came out and the winds feel gentler than yesterday.  Did you walk in the snow showers?  I got caught in a gust while noticing that our neighbors' roses were starting to bloom  What a contrast!  What a weird time we are living through these days.  


James  Abbott McNeil Whistler, Arrangement in Grey and Black, No. 1: 
Portrait of the Artist's Mother, 1871



Mama Whistler is now in confinement with her artwork buddies inside the shuttered Musée d'Orsay.  (Did you know the painting lives in Paris?  However, Mrs. Whistler posed in London while living with her son. She was born in Wilmington, North Carolina and married her brother's friend George Washington Whistler, a widower with three children, in 1831.  She had 5 sons, but only 2 survived beyond childhood.  Her most famous offspring was the flamboyant James Abbott McNeill Whistler, who added his mother's maiden name to his own after she died in 1881.)





And here is a portrait photograph of the lady herself, better known as "Whistler's Mother":


Anna Matilda McNeill Whistler, 1850s



Wishing you a joyous day - celebrating your Mom, remembering your Mom, or being a Mom -
just enjoy and smell those roses.

(BTW: I will Zoom "Mothers in Art" through Byram Shubert Library in Greenwich, CT, on May 21st, at 7 pm - invitations will be sent out at a later date.)

With hugs and love,
Beth

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange


Tuesday, May 5, 2020

Zooming on May 7th - Art and Chaos: Past and Present A Fundraiser for Alliance Francaise de Greenwich



Please join me for a Zoom lecture on Thursday, May 7th at 5 pm

"Art and Chaos: Past and Present"

A survey of the various art movements during and after World War I and the Spanish Flu
as well as the response to Covid-19 in today's art

To attend, please RSVP education@afgreenwich.org 

or New York Arts Exchange nyarts.exchange@verizon.net

the Zoom link will be sent to you


This is a fundraiser - my contribution to Alliance Française de Greenwich


A $10 donation to AFG would be appreciated -

Merci beaucoup!

Sunday, April 26, 2020

Fereshteh Priou: Poetry in Line and Form - A NYAE Exhibition


Tulips, print (limited edition), 22 x 28 inches



Hope springs eternal – as Spring eternalizes hope. On Saturday, April 25, we finally felt a seasonal warmth and gentle breeze between the much-needed April showers of the last week and today, Sunday. We have started our sixth week of “sheltering in place,” begun on March 20, 2020 in New York during the Covid-19 pandemic. To bring back the sun as the rain drops fall, the New York Arts Exchange is presenting an online exhibition of elegant flowers and other beautiful images limned by the multi-talented Fereshteh Priou, also known as the brilliant leader of the Proust Society of Greenwich. 





Iris, print (limited edition), 8 x 12 inches

Fereshteh hosts a group of dedicated followers traveling through all 7 volumes of Marcel Proust’s enormous novel In Search of Lost Time (published in French between 1913 and 1927; in English 1922 and 1931), one volume per year. Sponsored by the Alliance Française de Greenwich, we are the second set of pilgrims. The first group finished in December 2017. We began in January 2018.  Now in the third year of our voyage, usually anchored in the splendid Byram Shubert Library in Greenwich on Thursday nights, we have switched to Zoom during this period of “confinement.”  Aside from leading our monthly discussions, Fereshteh publishes her insightful essays on Proust and his novel, on the Proust Society website: www.proustsociety.org



Carnation, print (limited edition), 8 x 12 inches



Fereshteh’s last essay “Proust & Confinement” brings attention to Marcel Proust’s final years, spent mostly in his cork-lined apartment on the Boulevard Haussmann. While ruminating on Fereshteh’s description of Proust’s self-imposed “confinement,” I thought about the artist’s own drawings, which miraculously confine forms within her masterfully executed lines, creating the illusion of a solid figure within the infinite space of an undefined background. Thus, the artist imposes “confinement” or "containment" (another word we hear so often these days) by marking the limits of a shape within a limitless field.




Red Orchid, print (limited edition), 22 x 28 inches

Feresteh Priou’s magnificently rendered drawings feel like metaphors for this moment. Here the artist deliberately defines the limits of the object versus its unseen surroundings, the figure against the visible background signifying an invisible presence, much like our confinement at home. We are “locked down” within our domestic or essential-work spaces, surrounded by so many unknowns.  And within our designated confines, we too might impose definition within the blanks spaces of our immediate environments and uncertain futures, establishing our “solid forms” (exercise, home schooling, housekeeping) in response to the amorphous background of the Covid-19 experience. 



Poppies, print (limited edition), 8 x 12 inches


To this end, we might allow our creative impulses to bloom, directing our energies to the material (artworks, cooking, craft) or the immaterial (writing, laughing, conversing) or somewhere in between (just sitting still to listen to the birds sing). Yet, in all this “doing” we are also becoming, limning portraits of ourselves for ourselves that unearth unexplored territories within our own minds - as well as capabilities untapped while keeping up with our former fast-paced, over-scheduled routines. 



Redhead, print (limited edition)


Hopefully, Fereshteh Priou’s quietly poignant drawings can inspire you to define your own creative endeavors.  May this period of “confinement” serve as the canvas upon which you delineate your own “figures” against the infinite “ground” of possibilities.






Green Dress, print (limited edition), 22 x 28 inches


Artist’s Statement

FERESHTEH PRIOU depicts the purity of its subject material through the simplification of line, with the idea that amongst the clamor of everyday existence, one can regain harmony by expressing life by emphasizing tranquility.


Line is a fundamental foundation of rendering representational forms and compositions stripped of ornamentation by reducing the subject matter to the purity of line which results in art exceptionally generative of the imagination. Ms. Priou explains her art as an elegant expression of the human essence, stating, “I believe simplicity is the essence of beauty and purity. I express my creativity by giving form to things with the force and value of pure and subtle, yet bold and simple lines. My work mostly depicts faces and bodies, conveying the peace, tranquility and serenity that we can evoke from deep within us despite the fear, anguish and anxiety surrounding us.”


Black, organically fluid lines burgeon beautiful frames of modest human forms. The bodies are captured through the light caress of line, which elegantly flows around the forms, hugging every line of the human form. Saturated pools of pure hues consume some reaches of Ms. Priou’s compositions, aiding in the energy within the organic forms. Ms. Priou reduces compositions to the essence of art, the line, an adept strategy engendering elegant works leaving much for the imagination to enjoy. 



Beach, print (limited edition), 28 x 22 inches




Artist’s Autobiography


Fereshteh Priou was born in Tehran, Iran. She moved to the U.S. to study for an MBA at George Washington University where she met and married her husband Michel. The family then moved to Paris, France and Fereshteh, who had a passion for arts since childhood, started her art education at the Académie de Port Royal in Paris. At the Académie, she learned to draw and paint under Jean Maxime Relange and Claude Schultz, who considered a good drawing technique the undisputed basis for a good painting. 



La Danseuse, ink on paper, 22 x 28 inches

A few years later, the family moved back to the U.S. where Fereshteh worked at various multinational companies, such as Deloitte & Touche, Hitachi Metals and ABB, Inc. She also raised a family while pursuing her passion for arts during her rare free moments. 


Reader, ink on paper, 16 x 20 inches


In the past few years, Fereshteh has been devoting more of her time to her artistic pursuits and has participated in many solo and group art exhibitions. Fereshteh is a long time resident of Greenwich, Connecticut and a member of the Greenwich Art Council, Greenwich Art Society and Greenwich Pen Women.  In March 2017 and March 2011, she exhibited her work in solo shows installed in the Bendheim Gallery, located in the Greenwich Arts Council.

To find out more about Fereshteh Priou's artwork, visit her website: Priouart










Contemplation, ink on paper, 22 x 28 inches






Despair,
printed (limited edition), 22 x 28 inches





Voyage, ink on paper, 16  x 20 inches








Dream 1, ink on paper, 22 x 28 inches






Dream 2, ink on paper, 22 x 28 inches







Apples, acrylic and oil crayon on canvas, 36 x 36 inches






Pears, acrylic and oil crayon on canvas, 36 x 36 inches









Paris Balcony, print (limited edition), 28 x 22 inches

Looking into the future and beyond . . . . .


Best wishes to you and your families - 
Take care and stay safe,
Beth

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange, LLC




























Wednesday, April 15, 2020

Marking the First Anniversary of the Notre Dame de Paris Fire

Chizuru Morii Kaplan, Parisian Rooftops III, 60 x 52 inches (Private Collection)

April 15, 2020 marks the first anniversary of the tragic fire that destroyed much of Notre Dame de Paris Today, in light of the Covid-19 lockdown, progress to restore this beloved cathedral in the City of Light has halted. The days of optimism for a swift recovery seem to belong to another era. Here is an update reported in December 2019 and a video of the Great Bell ringing to mark this occasion during an even greater tragedy throughout the world. 




Chizuru Morii Kaplan, Flying Buttresses, Paris, 29 x 41 inches (Private Collection)

Several weeks ago, I published a digital exhibition of Chizuru Morii Kaplan's extraordinary watercolor paintings of Notre Dame in Bonjour Paris (February 24, 2020). Please take a moment to study Ms. Morii Kaplan's work and read her moving statement.  Her memory joined recollections contributed by fellow BP staff writers, published last April.

May you be in good health and filled with hope as we all unite with the world to combat the spread of the Coronavirus.

Thank you for staying home.
Thank you for checking in with neighbors, friends and relatives. 
Thank you for supporting our medical staff, delivery people, supermarket staff, pharmacies, and food services preparing meals for everyone.  
And if you or a loved one is working on the frontlines--thank you so very much!. We salute your courage.

Take care,
Beth

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange


Wednesday, April 8, 2020

Spring Greetings: A Libra Super Moon, Passover and Eastertide

Touched With Fire, acrylic on canvas, 54 x 54"


"My work for many years has been partly a tool of self transformation. The single disc paintings are very much evidence of a higher level of  integration." - Lester Rapaport


The Full Super Moon in Libra portents endings, releasing the past, and entering into new, fresh beginnings.  There is no doubt, whether you follow astrology or the daily news, that we already entered the new path suddenly and unexpectedly.  What each of us decides to do on this new path is personal.  However, this path begs us to choose fellowship and selflessness. We need each other.  May you find this challenging period in confinement a fruitful pause, a moment to cherish the blessings we each have, and a time dedicated to reaching out to your family, friends and community, while physically separated by the enforced "shelter in place."

For my part, I believe that art is soothing, affirming and hopeful.  So here, on this blog for the New York Arts Exchange, I will present a few digital exhibitions and art history essays to lift your spirits and, hopefully, help you move along your new path, wherever it takes you.

Today, I am introducing Lester Rapaport: Toward a Spiritual Beyond, in honor of the Full Pink Super Moon in Libra and our quest for spiritual awakening amid the painful losses and hardships visited upon us because of Covid-19.



En-lightened, acrylic on canvas, 54 x 54"


"Born in 1947, I became a child of the 60s’ very messy counterculture, which, in my twenties, gave me an easy opportunity for extended experimentation with consciousness-expanding plants and chemicals. Eastern philosophy became important to many of us in that counterculture, often because of such experimentation. Since those heady days, all the phases of my professional artistic development have been concerned with higher and deeper levels of awareness, and my work has always reflected my emotional spiritual journey.". - Lester Rapaport



Yesterday Tomorrow, acrylic on canvas, 54 x 54"

"The world is always with us, and even the purest, the most reductive, the most spiritually driven of abstract artists reflect their time, if only by speaking the particular symbolic languages of their era. The pioneer non-objective painters of the modern era, from Kandinsky and Mondrian to Hilma af Klint, very deliberately articulated their inner visions, driven as they were by a Victorian propriety and mystic faith in science. The abstract expressionists hewed to a more reactive gesture, a theatrical sweep that existentially conflated personal and public turmoil. Today, in the face of ecological doom and the loss of faith in institutional integrity, abstract art often seems empty and exhausted; but its most vital practitioners serve as exemplars not of ennui and despair but of forthrightness and rigor. The recent paintings of Lester Rapaport manifest such clarity and honesty. They come from deep inside the artist, but they speak to the world around him with both anger and charm, fright and resolution, loss and rediscovery." - Peter Frank, Lester Rapaport: Meditations in an EmergencyNovember 2018



Affirmation, acrylic on canvas, 54 x  84"

"The now-decades-long gradual surrender of our mid-20th-century national belief in a new, science-informed, ever-more-reciprocal common future - to a science-ignorant, future-blind, other-hating fear of change, does continue. But so does the increasing protest in support of fairness, honesty, decency, and an economy that respects what the natural environment is showing us. I, however, have returned to simply sharing, as best I can, the kind of truth and beauty I see and feel throughout our seven-hundred-year-old, socially evolving western painting tradition, by expressing my personal spiritual journey in acrylic paint on canvas." - Lester Rapaport




Waking Up For Leontyne Price, acrylic on canvas, 54 x 84”

"In 2016 I received a diagnosis of prostate cancer. I was advised, convincingly, to take the mainstream medical approach of radiation therapy, and thanks to our contemporary science, I’m now cancer-free. (What a charged phrase that is.) But I also, simultaneously, adopted a complementary alternative approach – a new, very strict anti-cancer diet, plus a daily supplements program and a vigorous exercise regimen – all for the rest of my life. And it turns out that the alternative approach has brought a wonderful new clarity to my awareness, and joy in my physical being. These are interesting times."




Waking Up Waking Up, acrylic on canvas,  54 x 84”



Education:
1963-67 Hunter College, B. F. A.
1967 William Graff Scholarship for graduate study
1967-69 Hunter Graduate School, M. A. Program

Solo Exhibitions:
2019          David Richard Gallery, NYC
2016          Art Mora Gallery Ridgefield Park, N.J.
2014          Weil Cornel Medical offices, New York City
2010          Paris Health Club, New York City
2009          Paris Health Club, New York City
2007          Paris Health Club, New York City
2004          Verlaine, New York City
1996          Planet Thai, Brooklyn, New York
1987          Wiesner Gallery, Brooklyn, New York
1983          Westbroadway Gallery, New York, New York
1982          Westbroadway Gallery, New York, New York
1981          Westbroadway Gallery, New York, New York
1973          Pollock Gallery, Toronto, Ontario, Canada

Recent Group Shows
  • 2018 Carter Burden Gallery, NYC, NY
  • 2018 Sideshow Gallery, Brooklyn, NY
  • 2017 Anthony Philip Gallery, Brooklyn, NY
  • 2017 Gallery Giordano, Brooklyn, NY
  • 2016 Art Mora Gallery, NYC, NY
  • 2016 Carter Burden Gallery, NYC, NY
  • 2016 Sideshow Gallery, Brooklyn, NY
  • 2015 Newark School of the Arts, Newark, NJ
  • 2015 Two person show at Carter Burden Gallery, NYC
  • 2015 Sideshow Gallery, Brooklyn, NY
  • 2014 Sideshow Gallery, Brooklyn, NY
  • 2013 Sideshow Gallery, Brooklyn, NY
  • 2012 Sideshow Gallery, Brooklyn, NY
  • 2011 Rush Gallery, NYC
  • 2010 Sideshow Gallery, Brooklyn, NY



Wishing you a healthy and peaceful Passover and Easter -
Beth

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange

Wednesday, February 19, 2020

Last Call - Francis Naumann Fine Art closing on February 28 with Marcel Duchamp Portraits

"Depicting Marcel Duchamp," Francis Naumann Fine Art



Francis Naumann Fine Art will close its gallery space at the end of the day on Friday, February 28, 2020.  The absence of FNFA will be greatly felt among his fans and the art history community which has relished the exceptional curation of historically important figures in art and their appropriators.  In this spirit, the current exhibition Depicting Marcel Duchamp: Portraits of Marcel Duchamp and/or Rrose Sélavy is pitch perfect for our fond farewell.

"Depicting Marcel Duchamp," Francis Naumann Fine Art

In the gallery's own words:

Depicting Duchamp: Portraits of Marcel Duchamp and/or Rrose Sélavy opens at Francis M. Naumann Fine Art on January 10, 2020. As the title suggests, the show will consist of portraits of Marcel Duchamp and/or the artist in the guise of his female alter-ego, Rrose Sélavy. Many were made in Duchamp’s lifetime, but countless portraits have been made of the artist in the years since his death.  Indeed, a number were made by contemporary artists specially for inclusion in this show.



"Depicting Marcel Duchamp," Francis Naumann Fine Art

Marcel Duchamp’s reputation as an artistic iconoclast—combined with his legendary good
looks, genial character and accessibility—have made him the subject of countless portraits.
Indeed, if we combine the number of portraits made by his contemporaries with those made posthumously, Duchamp has been depicted more often than any other major artist of the modern era. Works of art are generally comprehended only visually (“retinal” in Duchamp’s terminology), and are, therefore, subject to evolving changes in taste.  The ideas Duchamp introduced avoid fluctuations of style by inhabiting the mind, thereby forcing an intense and rigorous engagement with the process of thought. As a result, artists render him as a physical presence, for to this day, his ideas continue to affect the way we think about art and the art-making process.

"Depicting Marcel Duchamp," Francis Naumann Fine Art


The first formal painted portrait of Marcel Duchamp was made in 1915 by Walter Pach (1883-1959), an artist best remembered today for having helped to organize the Armory Show of 1913. It was Pach who had selected many of the modernist works in that landmark exhibition, including Duchamp’s infamous Nude Descending a Staircase. Consequently, he had done more to establish the artist’s reputation in the United States than any other single individual. In the painting, the artist wears a green shirt with a white collar and blue tie, and he is set against a modulated green backdrop that closely matches the color and texture of his shirt (green was Duchamp’s favorite color). Pach not only captured his sitter’s penetrating intelligence, but the delicate and attenuated features suggest an effeminate quality that the artist himself probably would not have denied, for with his invention of a female alter ego some years later, he would openly explore this aspect of his complex but ever-engaging personality.


"Depicting Marcel Duchamp," Francis Naumann Fine Art

The Pach portrait is the earliest dated work in the show, but it was followed by countless others made in the artist’s lifetime. Many photographs of Duchamp were taken over the years; see those by Denise Bellon (1938), Irving Penn (1948), Naomi Savage (1949), Victor Obsatz (1953), and Arnold Rosenberg (1958).  He was depicted countless times by various painters, sculptors and printmakers, beginning with an early torso by his brother Raymond Duchamp-Villon (1910), plaster and bronze life casts by Ettore Salvatore (ca. 1945), sculptures by Reuben Nakian (1943), Isabelle Waldberg (1958), as well as to prints made by Man Ray (1971), Marcel Gromaire (1952), an etching by his sister Suzanne Duchamp (1953) and another by his eldest brother Jacques Villon (1956). 


"Depicting Marcel Duchamp," Francis Naumann Fine Art


By and far the most ambitious series to depict the life of Marcel Duchamp was undertaken by the Musée National d’Art Moderne, Centre Georges Pompidou in Paris when they opened their inaugural exhibition in 1977—eleven years after the artist’s death—with a Duchamp retrospective.  To introduce this exhibition, they displayed a series of pictures illustrating the life of Marcel Duchamp painted by André Raffray (1925-2010), an artist who had earlier worked as an illustrator for the French cinema. Over a period of two years, he completed La Vie illustrée, twelve gouache panels that reconstruct major events in Duchamp’s life not otherwise recorded: from painting his first picture at age fifteen, to standing next to his Etant donnés in the last year of his life.



"Depicting Marcel Duchamp," Francis Naumann Fine Art



Curiously, the twelve panels in the series do not account for the eight years that Duchamp spent in New York from 1915 through 1923, arguably the most important and productive period of his life. The omission (likely a consequence of the Francophile nature of the enterprise), was rectified when Raffray was later commissioned by Francis M. Naumann to add a thirteenth panel to the series called Chez Arensberg (1984), depicting a typical soirée at the apartment of Louise and Walter Arensberg, Duchamp’s steadfast patrons during his years in New York.


"Depicting Marcel Duchamp," Francis Naumann Fine Art

Among the most engaging portraits of Duchamp are those done after his death, some by artists who are themselves today no longer living; see the works by Sarah AustinTom ChimesRay JohnsonRichard Hamilton.  Yet it is the younger contemporary artists who give us the sense that Duchamp is still living, his ideas as prescient today as they were when first introduced over 100 years ago, forever altering the very definition of art; see Michael Vannoy AdamsStefan BanzCarl BatesLarissa BatesRay BeldnerNancy BeckerMike BidloBrice BrownRob BrinkerPablo EchaurrenTR EricssonRobert FormanKathleen GiljeElise GrahamTom HackneyRudolf HerzJasper JohnsDon JointPamela JosephLarry KaganJane KaplowitzL. Brandon KrallCary LeibowitzChrista MaiwaldCarlo Maria MarianiSophie MatisseJacques MoitoretYasumasa MorimuraRichard PettiboneJonathan SantloferDonald Shambroom, Tom ShannonMark TanseyDouglas VogelAi WeiweiCK WildeRob Wynne and Tetsuya Yamada."




So, run, flight or "beam up" to this landmark show. 

Thank you, Francis Naumann and Dana Martin, for 18 1/2 years of extraordinary exhibitions.
We will miss your presence at 24 West 57th Street.

Best wishes to you both-
Beth and your loyal fans from the New York Arts Exchange

Beth S. Gersh-Nesic, Ph.D.
Director and owner
on Twitter @bethnewyork





Monday, February 17, 2020

Tea with Ruby! Paint with famous artist Ruby Silvious is coming to Manhattan for one night


Ruby Silvious's exhibition Recycled and Refashioned is now on view at the Albany Institute for History and Art, through July 7th.

Here is a rare opportunity to learn how to paint on tea bags and eggshells with Ruby in Manhattan:

Meet, Paint and Enjoy Afternoon Tea with Artist Ruby Silvious
Monday, March 2, 2020
6-8 pm
118 West 22nd Street, NYC


$45 members/$55 non-members


What's on the menu?

ART + SAVORY GLOBAL BITES + DESSERT


Gather with Alliance members at N.Y.Cake to make your own artwork with recycle artist Ruby Silvious, on unusual canvases (did someone say teabags and eggshells?). 

The event will start with a demo by Ruby, followed by participants learning how to paint on used tea bags and the inside of cracked egg shells.

The  a substantial "Adult" Afternoon Tea complete with bubbly, wines, specialty teas/tisanes, and savory bites. Dessert will be decorated cupcakes by award-winning cake decorator and Alliance member Lisa Mansour,  co-owner of NY Cake and owner of NYC Cake Academy. 

Ruby will also be signing her new  coffee table book, Reclaimed Canvas: Reimagining the Familiar,  which members and guests can buy at the discounted price of $25 (Reg. $35)

And yes, there will be a raffle! Lucky attendees will go home with Ruby’s first book, 363 Days of Tea: A Visual Journal on Used Tea Bags; a framed original artwork from Ruby; or a gift certificate from NY Cake.

Menu
Savory Small Bites, in the tradition of Afternoon Tea 
(from Alliance member Lynn Bernstein of  allLYNNfoods)

Bubbly and wine

Tea + Tisane (from Alliance member Linda Villano of SerendipiTEA)

Mini Cupcakes (from Alliance member Lisa Mansour of NY Cake)

Tiered Servings Stands Sponsored by The Brooklyn Teacup


Ruby Silvious  is a recycle artist who is internationally recognized for her miniature paintings and collages on the used tea bag. She is the author of 363 Days of Tea: A Visual Journal on Used Teabags, and the newly released Reclaimed Canvas: Reimagining the Familiar. In her new book, Ruby wants viewers to keep an open mind and think beyond the boundaries of what they may 
consider traditional art.

Lisa Mansour is an Alliance member and award-winning, third-generation expert in cake decoration and the co- founder and the co-owner of NY Cake, the premier destination for baking and decorating supplies in New York City. Mansour is also the head of NY CAKE Academy, a hands-on cake decorating school, where she teaches classes on fondant, specialty cakes and seasonal topics for baking enthusiasts of all ages and skill levels.

Lynn Bernstein is an Alliance member, New York City chef, and a graduate of French Culinary Institute/ICC.  allLYNNfoods is her high-end boutique catering company serving NYC.  With her background as a fashion stylist and education as a graphic designer, Lynn  brings her sensibilities to your palate and to your party.

NYWCA members $45
non-memberes $55


Hurry - seats are filling fast!