Saturday, May 20, 2017

Last Call: Impressionist Alfred Sisley at the Bruce Museum through Sunday, May 21

Alfred Sisley, Peasant Under the Trees in Blossom, 1865-66
Oil on canvas, 46.5 x 56 cm
Galerie Bailly, Geneva
Image courtesy of Galerie Bailly, Geneva

With much sadness, I have to announce that Alfred Sisley: Impressionist Master at the Bruce Museum in Greenwich, Connecticut, will close on Sunday, May 21st. From the flowering fields of spring to the floods of Port-Marly,  Sisley delivers the quintessential appearance of an Impressionist painting in all its freshness, spontaneity and keen observation of nature in flux.  This exhibition has brighten a rather dark winter in these parts - not unlike the period Sisley emerged from during the 1860s.

Alfred Sisley, The Bridge at Villeneuve-le-Garenne, 1872
Oil on canvas, 49.5 x 65.4 cm
The Metropolitan Museum of Art, Gift of Mr. and
Mrs. Henry Ittleson, Jr., 1964 (64.287)
Image courtesy of Metropolitan Museum of Art

Sadly too, Alfred Sisley's work never cultivated the starstruck fan-base enjoyed by his fellow Impressionists Claude Monet, Pierre-Auguste Renoir, Edgar Degas and Camille Pissarro, with whom he bonded over the study of light on surfaces. Together they organized a "pop-up" at the photographer Nadar's modern studio from April 15 to May 15, 1874, which became known as the first Impressionism exhibition among the following eight. Sisley exhibited in all but the last in 1886. Yes, we know his name from the art exhibitions and auction catalogs, but most people know very little about Sisley's life and personality. Indeed even during his lifetime, he was overshadowed by the more popular members of that renegade group of "sloppy daubers" (the first reaction to the work we now call "Impressionist").  One wonders why this magnificent retrospective is not in a Manhattan museum, where more people would have access to its exceptional quality and the privilege of viewing works owned by private collectors. Alfred Sisley may still suffer from a lack of "power branding." The proof of his true talents is best experienced in front of the work, rather than in reproductions.

Alfred Sisley, La Route de Verrères, 1872
Oil on canvas, 47.5 x 63 cm
Private Collection, Thomas Gibson, England

So, what should we know about Alfred Sisley?  A lot. First off, he never became a French citizen.  He was born to two British subjects, William Sisley and his wife Felicia Sell, who had settled in Paris. Alfred was born on October 30, 1839 on rue des Trois Bornes, in the 11th arrondissement - not terribly swanky, but not shabby either. His father made a respectable living as a textile merchant. It was expected that Alfred would follow in his father's footsteps (as most of the young Impressionists' parents hoped for their sons too). Sisley spent 1857-58 in London studying commerce, but also drinking in the great museum collections and developing a passion for Shakespeare.

Alfred Sisley, Fête Day at Marly-le-Roi, 1875
Oil on canvas, 54 x 73 cm
The Higgins Art Gallery & Museum, Bedford
Image courtesy of The Higgins Art Gallery &
Museum, U.K.

Sisley entered academician Charles Gleyre's studio school during the autumn of 1861, where he met his life-long buddy Pierre-Auguste Renoir, who introduced him to Claude Monet, Camille Pissarro and all the others in due time. They all fell under the spell of Monet's mentor Eugène Boudin and the swashbuckling strokes of Edouard Manet, who never exhibited in the independent exhibitions organized by Monet, Degas and the rest of the Société Anonyme Cooperative des Peintres, Sculpteurs et Graveurs (modeled on the Bakers' Union).

Sisley, like his fellow Impressionists Monet and Pissarro, met his life-long domestic companion in his 20s and remained monogamist (as far as we know). Her name was Marie-Adelaïde-Eugènie Lescourzec. She was a florist. On June 17, 1867, their first child Pierre was born. Their second child, Jeanne-Adèle, was born on January 29, 1869 and their third, Jacques, was born on November 26, 1871, but died three months later on February 28. 1872.  

Alfred and Eugènie finally married on August 5, 1897 in Cardiff Town Hall, over thirty years after they met. Eugènie died over one year later, on October 8, 1898, and Alfred Sisley died about four months after that on January 29, 1899 in Moret-sur-Loing. During that last year, on February 3, 1898, Sisley appealed again for French naturalization.  It was never granted. Ergo: this "French" Impressionist was English all his life (as indeed Camille Pissarro wasn't French either, though descended from a French family, he remained a Danish citizen from St. Thomas).  

Alfred Sisley, Flood at Port-Marly, 1872
Oil on canvas, 46.4 x 61 cm
National Gallery of Art, Washington, D.C.,
Collection of Mr. and Mrs. Paul Mellon
Image courtesy of National Gallery of Art

So much for the unconventional details about Sisley's rather conventional life as a plein-air artist among the practitioners of a thoroughly avant-garde modernist approach to making paintings. Resolute in his adherence to this messy, rebellious direction, Sisley suffered from financial hardship most of his life, surviving as best he could from sales and living outside the expensive booming metropolis that Paris had become. Therefore, we see in his work a cozy comfort in rural France, mainly modest villages and expansive landscapes affected by seasonal conditions: spring becomes resplendent in her delicate pastel blossoms, winter feels hushed under its blankets of purple-shadowed snow, fall is a bit broody, and summer dazzles, especially on the surfaces of a river gently flowing under the sun.  A decidedly Sisleyan characteristic is the pathway leading the eye through the composition - a central street dotted with shoppers in the village, a road winding through the countryside, or a path cut into a green meadow on a gently sloping hill.

Alfred Sisley, A Farmyard at Chaville-December, 1879
Oil on canvas, 46 x 55.5 cm
Private Collection

Most of Sisley's work is easel-size, occasionally grander but not by much. This is a snug, huggable show - calming, pleasant and carefully chosen for its diversity of subject matter. Art historian and curator MaryAnne Stevens has astutely arranged in chronological order a substantial introduction to Sisley's range.  She also chose the strongest to represent his areas of interest. Her efforts may never be duplicated, which makes this show so important. Would that the exhibition could stay just a few months longer to serve as an oasis for the mind and eye.  May the audiences visiting the Hôtel de Caumont, Centre d'Art, Aix-en-Provence enjoy this Sisley retrospective as much as we did in the US.

Kudos to MaryAnne Stevens, who wrote valuable essays for the exhibition catalog, along with contributions from Richard Shone and Kathleen Adler. 

If you were not able to see Alfred Sisley: Impressionist Master, please join me for a course on Impressionism this summer through Purchase College.  I will teach the course online and at the Met.
Details can be found on the Purchase College website or contact me at or

Best wishes for the weekend,

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Exchange, LLC

Tuesday, May 16, 2017

Book Party and Signing at Books of Wonder, Saturday, May 20th: Gary Golio on Billie Holiday; Susannah Reich on Pete Seeger

Authors Gary Golio and Susannah Reich join book illustrator Floyd Cooper for a panel on picture-book biographies at 

Books of Wonder
18 West 18th St, NYC
Saturday, May 20th, 1  - 3 pm

A presentation and book signing of their latest publications:

Award-winning author Susanna Reich’s Stand Up and Sing! Pete Seeger, Folk Music and the Path to Justice (Bloomsbury), with a foreword by legendary singer-songwriter Peter Yarrow

New York Times-bestselling author Gary Golio’s Strange Fruit: Billie Holiday and the Power of a Protest Song (Millbrook Press).

(The following is taken from the press release):
Stand Up and Sing!, illustrated by Adam Gustavson, is the first picture book biography of Pete Seeger, one of the twentieth century’s leading advocates for human rights. Pete dedicated his life to bringing people together through song. Surrounded by music from an early age, he discovered the banjo as a teenager and soon put its rhythms to work. Moved by the suffering he witnessed during the Great Depression, he sang in support of workers’ rights and racial equality. During the McCarthy Era he went from the bestseller list to the blacklist, displaying extraordinary courage in the face of power and injustice.

In Strange Fruit: Billie Holiday and the Power of a Protest Song, illustrated by Charlotte Riley-Webb. Golio tells the story of a young jazz singer who put her life and career on the line by debuting a song for which she'd be insulted, assaulted, and spat upon. "Strange Fruit," written by Bronx schoolteacher Abel Meeropol, was a haunting piece of music about a horrifying subject—lynching. When asked by Barney Josephson—owner of a new nightclub in New York City open to both white and black customers—to sing it, Billie Holiday was at first unsure. But when she witnessed its effect at a Harlem party firsthand, she agreed to perform "Strange Fruit" at Barney's club. From that night on, Billie's life would never be the same.

Susanna Reich is the author of many books for young people, including Fab Four Friends: The Boys Who Became the Beatles, Minette’s Feast: The Delicious Story of Julia Child and Her Cat and José! Born to Dance. Her honors include the Tomás Rivera Award, International Latino Book Award, NCTE Orbis Pictus Honor, ALA Notable and ALA Best Books for Young Adults. The immediate past chair of the Children's Book Committee of PEN America, she lives and sings in Ossining with her husband, children’s book author Gary Golio.  

Gary Golio also wrote Bird and Diz Two Friend Created Bebop, 2016; Spirit Seeker: John Coltrane's Magical Journey, 2012, When Bob Met Woody: The Story of  Young Bob Dylan, 2012; JIMI: Sounds Like a Rainbow, the Story of Young Jimi Hendrix, 2011.  The recipient of numerous awards and accolades, Golio's books have been cited among the top children's books in Kirkus Review.  His book on Bob Dylan won the National Parenting Publications Award in 2012.

Adam Gustavson has illustrated more than twenty books for children, including Rock and Roll Highway: The Robbie Robertson Story and The Yankee at the Seder, a Sydney Taylor Honor book. Adam holds an MFA from the School of Visual Arts and teaches at the University of the Arts in Philadelphia. He lives in New Jersey with his family and several guitars.

Friday, April 21, 2017

Art Above the Sofa: The Exhibition and Conversations, April 27-30, 171 Elizabeth St, NYC

It's almost here!  We are proud to present Art Above the Sofa: The Exhibition and Conversations, from April 27 -30; opening on April 27 from 6 - 8  pm.  Conversations with artists will take place throughout the weekend.  (Schedule listed below.)

Wa Liu, Exposure, 2017

We are pleased to announce the first place winner of the juried competition "Art Above the Sofa: Next Generation": Wa Liu, Yale University, with her work Exposure, from her series Selfies.

Second place winner of the juried show and first place winner of the popular Facebook vote is Vicci Weixi Zhang, Trinity College, with her Blossom, 2017.

And second place winner for the Facebook competition is Priscila Schott with her Complexity II, 2017.

These student artists' works will be exhibited with our featured jurors' works and invited artists.

Our jurors are: Kathleen Gilje, Wilhelmina Grant, Sasha Meret, Ruby Silvious and Marjorie van Cura. Our invited artists are: Gerri Davis, Toni Quest and Christina Thomas.

Conversations with artists will take place on:
Friday, April 28, 2 - 4 pm: Toni Quest on her art and autobiography Actualized
Friday, April 28, 5 - 7 pm: Wilhelmina Grant on her art and autobiography A Feeling of Fullness
Saturday, April 29, 12 - 1 pm: Zoe Lubin-Fosha, Purchase College, "Fashion and Self-Identity"
Saturday, April 29, 2 - 4 pm: Beth and Patrick on "Art in the Age of Social Media"
Saturday, April 29, 5 - 7 pm: Kathleen Gilje on her portrait Muhammad Ali and Old Master painting
Sunday, April 30, 2 - 4 pm: Marjorie van Cura on her painting and process
Sunday, April 30, 4 - 6 pm; Finissage!  Let's celebrate our fabulous artists and Spring!

Come join our conversations on our comfy sofa about the place of art today in our society. Let's talk about the personal. Let's talk about the  political. Let's talk about our passion!

We look forward to sharing this exciting event with you!
Beth and Patrick

Beth S. Gersh-Nesic, Director and Owner,
Patrick Hankin, Chief Curator of Design and Social Media

New York Arts Exchange, LLC

Thursday, April 13, 2017

Spring Holiday Greetings and Spring News!

Alfred Sisley, Peasant Under the Trees in Blossom, 1865-7
on view at the Bruce Museum, Greenwich, CT, through May 21

Dear friends,

Happy Passover and Happy Easter!  May your holiday celebrations bring you good cheer and much needed warmth, among your family and friends - and weatherwise too. Spring is  finally here!

Here at the New York Arts Exchange the winter really heated up with tons of activities.  We are now LLC and were granted use of the word "exchange" in our title thanks to the NYS Attorney General. Hurray! Thank you, our beloved New York!  We explained that our currency is conversation.  
And to that end, please join us in conversation during . . . .

The Exhibition and Conversations
April 27-30
171 Elizabeth Street, between Spring and Kenmare Streets,

Opening: Thursday, April 27, 6 - 8 pm
(Winners announced on our Facebook page.)

Come schmooze about arts on our couch - 
Artists-led conversations all weekend long.

Curated by Beth S. Gersh-Nesic and Patrick Hankin

Alfred Sisley, La Route de Verrieres, 1872

May Tours - Hither and Yon (outside Manhattan)
May 11 - Alfred Sisley at the Bruce Museum, Greenwich
May 18 - Fred Wilson and Leonandro Erlich at The Neuberger Museum, Purchase, NY
May 25 - TBA

Best wishes to you and your family for the holidays,

Beth S. Gersh-Nesic, Ph.D.
Director and Owner
The New York Arts Exchange, LLC

Sunday, March 12, 2017

Purim 2017 - 14 Adar 5777: #BeLikeEsther

Rembrandt van Rijn, Esther Accusing Haman Before Ahasuarus, 1660

Today is Purim, the Feast of Esther, the day to party, get drunk and release our inhibitions behind masks of all kinds.  By now, most people accept that the Book of Esther in the Bible is not true.  We read the story to explain the reason we celebrate Purim and to re-inspire our capacity to do good in the face of powerful forces that seem impossible to defeat.   Queen Esther, you may recall, was asked to be the whistle-blower in order to save the Jews, "her people," by informing her husband that his prime minister, his appointee, scheduled the annihilation of the Jews (herself included) on the 14 day of Adar.  She was fully aware that accusing Haman of wrongdoing might displease the king and his wrath might end her life. Yet in the face of possibly losing her crown and/or her head, she courageously pursued her clever plan. Rather than go straight for the indictment during her first audience with the king, she played it cool and invited him to her private apartment in the palace for an intimate banquet - not once, but twice. Then, like Judith, Esther pleasured her man with food and drink before striking the decisive blow. This fairy tale plot seems based on both archetypal tropes and real experience. Begun as an oral history (possibly linked to the Persian New Year), ir was added to the Hebrew Bible as yet another Wisdom Tale that instructs the Jews about life among those who see them as unwelcome Others.  

Who indeed are the Others in our society today now threatened by government actions? Consider the cost of actions to combat injustice (time, inconvenience, social ostracism). Imagine how difficult it was to #BeLikeEsther and fight for the underdog. Imagine how heroic it is to try.

Here is an old blog post that tells the story of Esther and Purim: 

And here is an excellent article in The Jewish Magazine about Rembrandt and Purim, written by Helen Webberley. 

Chag Sameach - Happy Holiday - Happy Purim 2017/5777,

Beth S. Gersh-Nesic, Ph.D.
Director and Owner
New York Arts Exchange
A division of New York Arts Etc., LLC

Wednesday, March 8, 2017

Celebrate International Women's Day! Support Women Artists!

Kathleen Gilje, Self-Portrait after Bouguereau's The Assault, 2012

It has been an honor and a joy to select four extremely gifted women artists for our Art Above the Sofa: Next Generation jury: Kathleen Gilje, Wilhelmina Grant, Ruby Silvious and Marjorie van Cura. Today, in honor of International Women's Day, we celebrate these four women with examples of their work on our blog:

Ruby Silvious, from 363 Days of Tea, 2015

Wilhelmina GrantTime into Eternity

Marjorie van Cura, Untitled, 2016

We also invited a male artist into the jury: Sasha Meret   Please visit his show at Rafael Gallery, 235 East 59th St., through March 31st.   

Each juror will be highlighted on our Art Above the Sofa page on Facebook.  Please look for us there.

Happy International Women's Day!  


Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Etc. LLC

Wednesday, March 1, 2017

New Year, New Us: New York Arts Exchange is now a division of New York Arts Etc., LLC -


It's a New Year and a New Name:   New York Arts Exchange is now New York Ats Etc., LLC, retaining the moniker "New York Arts Exchange" as a division of our arts education service. Today, I am pleased to announce our latest project: Art Above the Sofa: Next Generation, which is a juried show for art students in accredited programs (AA, BFA, MFA, Ph.D. and art academies of all kinds, including schools abroad).  We are eager to exhibit emerging artists whose visual vocabulary addresses the concerns, hopes, dreams and aspirations of their generation.  Millennials, lead on!

What is Art Above the Sofa?  It is an irreverent poke at a much maligned phantom category of art that is often mentioned but never truly defined.  Who seriously makes art exclusively for an installation above a sofa?  Who wouldn't mind selling a work that winds up placed above the sofa, admired by its owners and shared with their guests?  Art above the sofa is often a beloved source of frequent contemplation. For most of us who buy art, we look for a work to cherish, study often and find endless surprises in what becomes a familiar companion.  An artwork above a sofa, in the intimacy of one's home, might turned into a steady, unquestioning love affair.

Therefore our concept of "Art Above the Sofa" is slightly ironic and hopefully disruptive. We are not suggesting that the artists match the furniture in a client's home or produce pleasantly "decorative" canvases.  Rather we seek excellent art that might be edgy, confrontational, uncomfortable, or decidedly spiritual in a complicated way. And we also seek humor that demonstrates intelligent wit and innuendo.

Consider the role of the sofa in Jacques-Louis' famous portrait of Madame Jeanne-Françoise Julie Adélaïde Récamier, decorously arranged on an Directoire Style lounge.  Legend has it that the sitter hated this cold interpretation of her personality and commissioned the early Romantic François Pascal SimoGérard, who did indeed capture her sensual charms. But when it came to choices, René Magritte went right to David's sofa, transforming Madame R into a seated casket that seems to ridicule the Academy's moribund state of affairs.  Let's find our inner Magritte and have fun while we say something bold and exceptionally new!  Art Above the Sofa challenges us to invent a new kind of art, a Post-Post-Modernism or something totally off the category charts.

Jacques-Lous David, Madame Récamier, 1800, Louvre, Paris

François Pascal Simon, Baron Gérard, Madame Récamier, 1802
Musée Carnavalet  

René Magritte, Perspective: Madame Récamier, by David, 1951
National Gallery of Canada, Ottawa

Dear friends of the New York Arts Exchange, now New York Arts Etc., LLC - - please support emerging artists by sharing information about our art competition and exhibition in April. Send a link to our website - and come celebrate with us in person.

The exhibition Art Above the Sofa: Next Generation  will take place at 171 Elizabeth Street, between Spring and Kenmare, from  April 27 to 30, 2017.   Opening celebration: April 27th.

As for the New York Arts Exchange tours and lectures for 2017  - we will post our schedule separately.  In the meantime, please visit our website: New York Arts Exchange to see details about our current exhibition  "Sasha Meret: Selected Works" at Rafael Gallery, 235 East 59th Street, NYC, between 2nd and 3rd Avenues.  We will schedule a day with Sasha at the show in March.  The show was extended to March 31st.  

This week, please join me at JCC Greenwich for a lecture on Queen Esther in Art.  Tickets and information can be found at New York Arts Exchange or on the JCC Greenwich website.

Best wishes,

Beth S. Gersh-Nesic, Ph.D.
Director and owner
New York Arts Etc., LLC